Viv Savage

Which ones as they all open for me...

Unfortunately they did not fix/added my bugbear of Summing Trackstacks within Summing Trackstacks... But... No real problems though? I am always hesitant about updating Logic(or OSX)

You do realise that 40 hex is 64 decimal? I am currently searching for a problem with the Sustain pedal as well, so cannot help you any further... Sorry

I use Amplitube to record electric guitars http://www.ikmultimedia.com/products/amplitube4/

THANKS!!! You made me see the light with this question! lol To answer I had to open the manuals of both the 828 and the Presonus, and to answer the question I came upon It does help to open the Ext In on the front so you can mix it the two sound streams! In true Homer Simpson style: "D' OH!!!". Sent the vocals to Output 3-4 in Logic, muted the other vocal bus with the backings. Play, and open the Ext In knob. Bingo! I had a singer in my ears.

I am not sure if that is the route to go, but I will try it out this weekend as that is the first time I am able to do something. The reason I doubt it is that I understood that the input will be transfered to the bus straight away without going through Logic. As a vocalist that would be fine, but probably not as a guitarist relying on a bunch of virtual stompboxes in Amplitube or so... Then again.... Would I mic him? Or plug him in?

Sorry for the delay, I didn't get a notification email.... I connected the various outs on the MOTU to the Presonus with TRS cables. These to be precise.

I read it, and the only thing my manual tells me is I am able to directly route an input to an output without Logic interfering (CueMix FX). As this is not what I am looking for I moved on from the written word. What I am looking for is simply assigning something to Output 3-4 in Logic and having one dedicated headphone mix, assign a different mix to Output 5-6 and have another one for a different singer, etc. That shouldn't be too hard I guess.

I've tried them all, it could be that I misconnected them, so just in case I checked out all of them. They were all silent. I've also tried other Output pairs in Logic (5-6, 7-8, 9-10, 11-12) up until the point that I ran out of analog outputs. With the last I meant that the dots weren't flashing on the MOTU. Everything plays The Sound Of Silence.

I didn't say I took out all the cables, I said cable. The main out cable that was connected.

Sorry, doesn't work. I've taken the cable out completely (both MOTU and Presonus ends), sent a channel strip to a new bus, option clicked for Unity Gain, set the new Aux to Output 3-4, Play. Silence.

Oops, that was kinda important to know. Sorry 'bout that. I've patched all the analog outputs on the back to the inputs of a Presonus HP60 Headphone Mixer. The main output is connected to the main input on the HP60 and that is all I hear on any phone output. When I disconnect the main it will be silent.

I am trying to get a headphone mix on my system, so I send some channels to another bus which will be sent to a different output. Just as the book says it should be done. I see the meters moving, I see the dots on the display of the 828 indicating that it receives data for Outputs 3 and 4, but the headphones on 3 and 4 don't receive anything. I can't imagine I am the only one using a 828, and I can't imagine I am the only one doing a headphone mix in here. Can anybody tell me what I am doing wrong? I've asked over at MOTUnation but there is just one guy who got it working by looping back through digital in and outputs. I can't imagine there is a simpler way... Thanks.

You were correct. It was the Audtio Tail. And the explanation also makes sense. As I said it is a very simple project and the only reverb on it is the reverb used in Ozone, which was already over and gone. I've also put the Normalization to Off. You learn something new everyday!. Thanks all.

Basically it is a very simple project. Two tracks, one guitar with Alloy in the Inserts, one vocal with Nectar in the Inserts, and Ozone in the Output track, and it is 90 bars long. Pretty simple... When I bounce I set Start to 1 1 1 1 and End to 90 1 1 1, the rest is default (Normalization is On, Include Audio tail is checked). Click Bounce and wait. I am used to seeing a progress bar fill up while bouncing, the Normalization phase and finally the converting to mp3 phase. End result... One file. Now I see the first progress bar fill up, and nothing more until I press Cmd-Period. Then it moves on to the next phase. This happens when I bounce to mp3 and to AAC. I haven't tried it on a different project yet, but I will tonight. I will also uncheck the Audio Tail and mess around with the Normalization to see if that helps.