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bscenefilms

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  1. Dave Smith was a certifiable genius. 40 years on and this technology is still used EVERYWHERE. Talk about foresight in design!
  2. I was routing to a bus/aux and adding it there but the trick was setting the output type to mono. Thanks 🙂
  3. I have a guitar track I have panned hard left and I want to add reverb and have just the reverb panned hard right. How do I do that? Tia 🙂
  4. 1.0 was announced what - a year before Dave Smith did his demo at NAMM? The adoption rate was pretty fast too - I think that demo was in 83. I suspect the delay we are seeing with 2.0 has a lot to do with the fact that 1.0 still meets the needs of most producers. When 1.0 came out, there was little in the way of alternatives.
  5. Thanks gents. We live in interesting times 🙂. I remember setting up the Chroma with the Chroma sequencer on the Apple 2 and how excited we were about the potential. Then along came MIDI and it was off to the races 🙂
  6. 1.0 - We have IN/OUT/THRU. We daisy chain using THRU. 2.0 is a bidirectional connection so I presume will we have a single connection for IN/OUT. But how will daisy chaining take place?
  7. Thanks Polanoid - I thought this might do it but was not sure 🙂
  8. in audio preferences I can set a single device as the audio input. However, I have an audio interface and a guitar with a guitar->USB cable. Is there any way to use these simultaneously?
  9. Thank you sir - I did eventually find it 🙂 - That was the answer!
  10. I have an external instrument (D50 in this case) connected via a dedicated MIDI interface and the audio output of the D50 goes into a Scarlet 2i2. So I can setup an external track and an audio track to recored the analog output of the D50. I can hear the D50 sounds just fine if I play the instrument with the audio track selected. All of that works fine. I can add an arpeggiator to the external track and it works fine except that I cannot hear the output of the D50. If I select the audio track I can hear it fine but then, obviously, I cannot interact with the D50 and the arpeggiator since they are not the selected track. What am I doing wrong here? TIA!
  11. http://www.fcp.co/final-cut-pro/news/1204-download-the-free-logic-remote-how-it-works-graphically-enhanced-manual-for-a-limited-time
  12. Until you want to use it for long-form edits. http://www.hdwarrior.co.uk/2013/07/21/shocking-discovery-with-fcpx-no-complex-timelines/ My wife ( an editor among other things) ran into this a while back when she decided to give it a "chance". She is back on Avid.
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