onesevent33n Posted August 20, 2013 Share Posted August 20, 2013 I feel like I've got a decent grasp on the concept of using Bus channels, Sends, Aux, etc in Logic 10 but am still confused on this part of the concept: From what I understand so far, when you send the audio on a particular channel to a Bus channel (that has for example, a Reverb effect on it), the original software instrument/audio channel will still output the dry sound and the Aux/Bus channel that said channel is sending to will produce the sound of the wet signal. Assuming that I'm not wrong thus far - what would I do if I wanted to send a few audio channels to a Bus with a Low Pass filter on it in attempt to automate the LP filter to slowly fade out the sounds on these particular channels. In theory, this wouldn't work because the dry signal is still playing their original audio tracks and not being affected by the filter on the bus.. so I assume that this wouldn't have any effect on the sounds sent to that Bus at all. So still assuming that I don't yet have something wrong here - how would I go about routing a group of multiple tracks to one Channel that would have a low pass filter on it that I could use to fade sound in and out w/automation. Is there a way to do group automation? I hope I worded that question so it could be understood as it's a bit hard to explain.. basically I'm looking to find a way to apply a single filter to multiple channels without having both a dry and wet signal because I want to fade sound out or in. Thanks in advance for any help with this!! Quote Link to comment Share on other sites More sharing options...
shivermetimbers Posted August 20, 2013 Share Posted August 20, 2013 Instead of the SEND, use the channel strip I/O output set to the specific AUX/bus channel strip. Quote Link to comment Share on other sites More sharing options...
David Nahmani Posted August 20, 2013 Share Posted August 20, 2013 From what I understand so far, when you send the audio on a particular channel to a Bus channel (that has for example, a Reverb effect on it), the original software instrument/audio channel will still output the dry sound and the Aux/Bus channel that said channel is sending to will produce the sound of the wet signal. A bit of terminology: you're not sending audio to a Bus channel. Logic does have Bus channels, but most people don't use them and I don't believe you do: you're sending the audio to a Bus, which is a virtual audio cable if you want, and in turn that bus is selected as the input of an Aux channel strip. The Aux channel strip has the reverb effect on it. If I'm right, then you're right. You're sending some of the dry audio to the Aux, the Aux processes the audio with whatever Audio FX are inserted on its channel strip and route the resulting effected audio to the Output channel strip. Meanwhile the audio inside the original channel strip continues its route without going to the Aux (therefore uneffected by the reverb), and the output of your original channel strip being also routed to the Output channel strip, your "dry" (un-reverberated) signal also reaches the Output channel strip. This is called parallel processing: you're sending TWO different signals to the Output channel strip, one dry, the other with reverb. If I'm wrong and you were indeed using a Bus channel, meaning a Bus channel strip, then let us know: Bus channel strips and Aux channel strips do not have the same behavior. Assuming that I'm not wrong thus far - what would I do if I wanted to send a few audio channels to a Bus with a Low Pass filter on it in attempt to automate the LP filter to slowly fade out the sounds on these particular channels. In theory, this wouldn't work because the dry signal is still playing their original audio tracks and not being affected by the filter on the bus.. so I assume that this wouldn't have any effect on the sounds sent to that Bus at all. Correct. What you want is serial processing, where 100% of the audio is processed by the low-pass, and none of the "dry" signal reaches the output. So you follow Shivermetimber's advice and you don't send the audio anywhere, you select all the channel strip you want to process, set all their outputs to a bus so that 100% of their audio signal goes to the corresponding Aux where you insert your low-pass. Quote Link to comment Share on other sites More sharing options...
Ashermusic Posted August 20, 2013 Share Posted August 20, 2013 Beautifully explained, David. Have you ever thought about writing Logic pro books? Quote Link to comment Share on other sites More sharing options...
shivermetimbers Posted August 20, 2013 Share Posted August 20, 2013 Beautifully explained, David. Have you ever thought about writing Logic pro books? Mine was short and to the point. If I wrote a book I would title it "Logic Pro X - If it's not Second Nature, then there's no point Explaining it!" Quote Link to comment Share on other sites More sharing options...
David Nahmani Posted August 20, 2013 Share Posted August 20, 2013 "Logic Pro X - If it's not Second Nature, then there's no point Explaining it!" What a long and convoluted title! Quote Link to comment Share on other sites More sharing options...
shivermetimbers Posted August 20, 2013 Share Posted August 20, 2013 That's what I'm talking about. The title is relatively short and to the point so there is no need for the rest of the pages that usually fill up a book. (BTW - it's a free download) Quote Link to comment Share on other sites More sharing options...
ptfigg Posted August 20, 2013 Share Posted August 20, 2013 Excellent information in this thread. I thought I'd mention that I still use Bus Channels. Here's an excellent writeup on the difference between a Bus Channel and a Bus. In LPX, go to the Window Menu/Open MIDI Environment/New/Channel Strip/Bus. -paul. Quote Link to comment Share on other sites More sharing options...
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.