Holger Lagerfeldt Posted September 7, 2009 Share Posted September 7, 2009 (edited) I wrote a comprehensive guide called Mixdown for Mastering. It's not a mastering or mixing guide as such, though it does contain a few mixing tips. This guide will help you get a technical perfect mixdown. It will make your mastering engineer very happy - and provide you with an even better final result. Mixdown Tips for Mastering http://www.onlinemastering.dk/how-to-get-mastering#mixdown Headlines · Plug-ins on the Master Output · Headroom · Tips for Mixing - From a Mastering Point of View · Alternative Versions · Start/End · Fades · File Format · Stereo Format · Bit Resolution · Sample Rate · Dithering and Noise Shaping · Normalizing · Realtime or Offline Bouncing · Listen to Your Mixdown · Common Problems and Solutions · Sending Files over the Internet · Delivering Files on a CD · Projects With More Than One Song · Song Order and Other Notes · Red Book Master CD or DDP · ISRC . MP3 · Gracenote Database · CD-Text · UPC/EAN · Evaluating Your Master · Loudness Potential · Important Information About the Sound in iTunes Edited June 13, 2018 by lagerfeldt Quote Link to comment Share on other sites More sharing options...
jamie8286 Posted September 8, 2009 Share Posted September 8, 2009 This is great thanks lagerfeldt learnt a few things from that that will definately come in handy. Also very clear and easy to understand. cheers!!!! Quote Link to comment Share on other sites More sharing options...
jamie8286 Posted September 8, 2009 Share Posted September 8, 2009 Just reading this bit- Headroom Your 24 bit mix should have its highest peak between -12 dBFS and -3 dBFS. This translates to between 12 and 3 dB of headroom before exceeding the digital ceiling of 0 dBFS. I know this will vary from track to track but would you say on a very tidy mix with alot of space between instruments ect having the level closer to -12 on the mix before sending to master you would be able to push it harder or say just give you more flexability to play with higher compression settings and get a louder final product. Quote Link to comment Share on other sites More sharing options...
Holger Lagerfeldt Posted September 8, 2009 Author Share Posted September 8, 2009 Thank you! I know this will vary from track to track but would you say on a very tidy mix with alot of space between instruments ect having the level closer to -12 on the mix before sending to master you would be able to push it harder or say just give you more flexability to play with higher compression settings and get a louder final product. ..than what? Any peak level between -12 and -3 dBFS will be fine. A mix peaking at -12 or peaking at -3 dBFS won't result in a better, worse or even a different master. But if you peak at 0 dBFS (full scale) you could risk either: A) the mastering engineer having to do an unnecessary step of digital attenuation in order to avoid overloading digitally, if the first processing step is a digital processor. or B) that your mix will cause 0 dBFS+ overloading at the D/A conversion stage, if the first step is going directly to D/A for analog processing Any type of unnecessary processing or overloading can cause distortion. Since distortion accumulates it becomes more and more audible. This is all a bit theoretical but there's no reason to push your luck, especially when it's so easily fixed by lowering the master fader. Quote Link to comment Share on other sites More sharing options...
route-electrique Posted September 8, 2009 Share Posted September 8, 2009 Very nice!, thanks . Quote Link to comment Share on other sites More sharing options...
jamie8286 Posted September 8, 2009 Share Posted September 8, 2009 cool thanks for the info! Do you peronally use software limiter/compressors ect for the mastering stage or do you have any hardware gear. If so what are you using and whch do you prefare Quote Link to comment Share on other sites More sharing options...
kingstonmike Posted September 8, 2009 Share Posted September 8, 2009 Very nice - thanks so much! Quote Link to comment Share on other sites More sharing options...
David T Posted September 8, 2009 Share Posted September 8, 2009 Very nicely done... in plain simple visual english Your training must be pretty good. Question: do you prefer receiving alternate mix versions that don't include master buss compression and EQ? Quote Link to comment Share on other sites More sharing options...
Holger Lagerfeldt Posted September 8, 2009 Author Share Posted September 8, 2009 (edited) cool thanks for the info! Do you peronally use software limiter/compressors ect for the mastering stage or do you have any hardware gear. If so what are you using and whch do you prefare You can check out my mastering gear here: http://www.onlinemastering.dk/studio.html I use a combination of solid state/tube hardware equalizers and compressors and digital processing. Edited September 8, 2009 by lagerfeldt Quote Link to comment Share on other sites More sharing options...
Holger Lagerfeldt Posted September 8, 2009 Author Share Posted September 8, 2009 (edited) Very nicely done... in plain simple visual english Your training must be pretty good. Question: do you prefer receiving alternate mix versions that don't include master buss compression and EQ? Thank you! Do you mean if I prefer the alternative versions (such as the vox up version) to be with or without the mixing engineer's bus compression? In general I prefer to get one version with and one version without - of all the mixes, including the alternative versions. In reality the way it works is more like this: People who do great mixes usually don't apply a lot of processing on the mix bus, maybe a couple of dB with a glue/SSL type compressor. They leave it on for all mixes and versions because that's how they want it to sound like. People who use a lot of digital processing or just bad processing on the master bus often aren't even aware of the need for alternative versions. I discuss what they should deliver on a case-by-case basis. I always try to educate my clients, which help them do better mixes, and makes my job easier on their next track. Edited September 8, 2009 by lagerfeldt Quote Link to comment Share on other sites More sharing options...
David T Posted September 8, 2009 Share Posted September 8, 2009 Very nice. Used too own a pair of Great Rivers myself - where great for running mixes through them. Unfortunately the had get sold when I closed down my business. that and many other really nice bits. Your room is real neat well done. 8) Quote Link to comment Share on other sites More sharing options...
Holger Lagerfeldt Posted September 8, 2009 Author Share Posted September 8, 2009 (edited) I rarely do stem mastering but they sure sound nice for that purpose too. Edited September 8, 2009 by lagerfeldt Quote Link to comment Share on other sites More sharing options...
Holger Lagerfeldt Posted September 8, 2009 Author Share Posted September 8, 2009 I've added a section to the PDF about CD-Text and one about UPC/EAN. Quote Link to comment Share on other sites More sharing options...
pantomimeHorse Posted September 10, 2009 Share Posted September 10, 2009 A great service, H, and so well presented. - Many LPH members will benefit from this. You're a star, Sir ! ! ! ! ! 8) - pH Quote Link to comment Share on other sites More sharing options...
Holger Lagerfeldt Posted September 10, 2009 Author Share Posted September 10, 2009 (edited) Maybe I should include some forum user testimonials in the PDF, heh heh Edited September 10, 2009 by lagerfeldt Quote Link to comment Share on other sites More sharing options...
el-bo Posted September 10, 2009 Share Posted September 10, 2009 great stuff , sir could well be passing some stuff to be mastered at some point in the future thank you very much Quote Link to comment Share on other sites More sharing options...
slamthecrank Posted September 11, 2009 Share Posted September 11, 2009 Thank you for this lagerfeldt!! I've not done much mastering (worth talking about) but am super interested in learning the art. I love to practice, and this is very well written. I'll be referring to it, and checking myself with it often.... thank you so much for sharing it! cheers! Quote Link to comment Share on other sites More sharing options...
iFish Posted September 11, 2009 Share Posted September 11, 2009 Thank you very much for your work! Quote Link to comment Share on other sites More sharing options...
ptrickf Posted September 11, 2009 Share Posted September 11, 2009 nice one - thank you for this - I look forward to reading it Quote Link to comment Share on other sites More sharing options...
ChicoSatis Posted September 11, 2009 Share Posted September 11, 2009 Your generosity never ceases to amaze me. Thanks Lagerfeldt. HAve a good one. Quote Link to comment Share on other sites More sharing options...
dkgross Posted September 11, 2009 Share Posted September 11, 2009 Indeed... great website...Gonna have to take advantage of the service! Quote Link to comment Share on other sites More sharing options...
Holger Lagerfeldt Posted September 11, 2009 Author Share Posted September 11, 2009 I'm glad you guys like it! I do take pleasure in knowing people can use this stuff. When I started working professionally, the Internet had barely taken off, and you couldn't get any up-to-date quality information about audio engineering. And while there's philantrophy involved, it's also a smart way of building brand awareness of my company. Quote Link to comment Share on other sites More sharing options...
erikromero10 Posted September 11, 2009 Share Posted September 11, 2009 Great thread Quote Link to comment Share on other sites More sharing options...
CShorte Posted September 11, 2009 Share Posted September 11, 2009 Thank you as I can use all the great help available ... great work and thanks for sharing, CS. Quote Link to comment Share on other sites More sharing options...
Noyan Posted September 12, 2009 Share Posted September 12, 2009 Very well done. Thank you! N. Quote Link to comment Share on other sites More sharing options...
maestro2be Posted September 12, 2009 Share Posted September 12, 2009 Thanks so much for this. This is really helpful. Your studio is unreal. Modern, sleek and sexy. I love it. Mine has a grand piano and various other instruments etc in it. I fear if mine looked like yours I would become so compulsive about being clean that I wouldn't get any work done lol. All Jokes aside, great information and beautiful setup. Maestro2be Quote Link to comment Share on other sites More sharing options...
d.am Posted September 12, 2009 Share Posted September 12, 2009 thanks you Quote Link to comment Share on other sites More sharing options...
Holger Lagerfeldt Posted September 13, 2009 Author Share Posted September 13, 2009 Thanks so much for this. This is really helpful. Your studio is unreal. Modern, sleek and sexy. I love it. Mine has a grand piano and various other instruments etc in it. I have some bongo drums though. I fear if mine looked like yours I would become so compulsive about being clean that I wouldn't get any work done lol. Sometimes I just sit there.. afraid to even breathe or touch the knobs. But remember, drugs are bad for you, mm'kay? All Jokes aside, great information and beautiful setup. Quote Link to comment Share on other sites More sharing options...
Madgear Posted October 1, 2009 Share Posted October 1, 2009 Hi there Lagerfeldt, just droppin' a line to thank you for the valuable infos. ciao, Pietro Quote Link to comment Share on other sites More sharing options...
Tumer Posted October 1, 2009 Share Posted October 1, 2009 Thank you indeed Lagerfelt, now I am going to have some Beer . Peace. 8) Quote Link to comment Share on other sites More sharing options...
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