Jump to content

petejonesmusic

Member
  • Posts

    11
  • Joined

  • Last visited

petejonesmusic's Achievements

Newbie

Newbie (1/14)

  • Week One Done
  • One Month Later Rare
  • One Year In Rare

Recent Badges

0

Reputation

  1. Hi All, I'm trying to set logic up in a similar way to my pro tools mix template, wherein I have a Master Aux, and a Master Level Aux, which I can use to bring the level of the mix up and down, and affect how hard the plugins on my Master Aux channel are working, and use it to lift certain sections of the song in volume etc. I'm running into a problem whereby if I assign all my tracks to a Mix Level Aux in logic, and then create a track stack out of them, logic assumes I want to use the Mix Level Aux as the input for the new track stack, and therefore creates lots of routing problems. I was wondering if there's any way to force logic to not use a certain aux, or to get it to ask what bus number to use when making a track stack? Thank you! Pete
  2. Hi There, Just wondering if I've got this right - does the new Region Gain Normalisation to LUFS levels effectively do the same thing as NuGens LM-Correct plugin (http://www.nugenaudio.com/lm-correct-loudness-correction-automatic-quick-fix-plugin-aax-au-vst_19) If so - thats wonderful news! Just wanted to double check before I used it on a dub mix of a tv show for Sky Arts in the UK. Thanks, Pete.
  3. Yeah that seems to be the best solution, I just use an offset to then reset the showing SMPTE time to be from bar 3 instead of bar 1. Thank you for your help
  4. Yeah I was thinking of doing that, just trying to figure out if the auto created scene markers will correlate to this new offset or not. Such a shame would be super handy, maybe in an upcoming version who knows!
  5. It weirdly just every time I add a marker, moves what was in the synchronisation settings back to bar 1 - see video. I don't think anything in the project settings / movie will help this. Maybe a bug? Very frustrating - I can't quite figure a work around. Heres a video showing it : https://www.dropbox.com/s/egyps20aqu4oc0n/BeatmapProblem2.mov?dl=0
  6. I've made a quicktime video demonstrating what I mean - see if this helps. Driving me crazy! You can see the video https://www.dropbox.com/s/76voxbgt4lhl9ri/BeatmapProblem.mov?dl=0
  7. Ok, step by step : I import movie into. logic, have bar 1 line up with 01:00:00:00. I go to the synchronisation window and set bar 5 to play at SMPTE 01:10:00:00. The movie lines up accordingly. I then open the beatmap global track and put a beat map marker at bar 5 (signifying the start of the tempo I have selected). What logic does is then moves the film to have 01:10:00:00 at bar 1 instead of bar 5.
  8. You mean just drag the movie back long so 01:10 lines up at bar 5 (after it has moved my movie to the start)?
  9. Hi David, But logic isn't even doing anything with the tempo with the first beat map marker - it just moves the whole video to the very start of the session. See attached the screenshots - for example bar 5 is mapped in this case to 01:10:00:00, when I put a beat map marker in at the start it moves this timecode to bar 1, leaving bar 5 reading 01:10:09. I want to keep bar 5 as 01:10:00 but still use beat mapping. Maybe this is not possible?
  10. Hi All, I'm trying to use beatmapping to align some hitpoints on a film cue I'm working on, but I'm having the problem whereby as soon as I add one 'beat map' marker in the global tracks, the video moves from bar 3, where I have it starting back to bar 1. It also has the same behaviour say if had spot a certain timecode, say 01:02:45:00) to start at bar 3, when I put in a beat map point it moves this timecode back to bar 1. Any idea how to stop this behaviour? I just want the video to stay where it is, and then I can go through the film move around tempos, but I don't want the film or the timecode to start at bar 1. Many thanks! Pete.
  11. I am looking to be able to do this too. Any other ideas?
×
×
  • Create New...