David Nahmani

You're welcome! 🙂 Note that after you've selected the desired notes, you can also use Functions > MIDI Transform > Random Velocity, and adjust the values below 'Random' to, for example, 95 and 85, then click Operate Only.

In the Piano Roll, click the snare note on the keyboard on the left to select all snares, then hold down Shift while you click or drag around the snares in your fills to deselect them. Then you can drag the velocity of one of the selected snares to adjust all of them.

Ok because what I do know is that Logic will push the end marker to match the end of the last region when needed, meaning as you make your arrangement longer. By default the project end marker in a new empty project is at bar 129. Now if you put a region that is for example 2 bars and 1 beat long at bar 129 then that will push the project end marker to bar 132. Maybe that's what you're seeing, you've arranged a song and Logic has automatically pushed the end marker at the end of the last region.

Fantastic cover of an amazing song. Beautiful job you've done there. I'm amazed at how good a singer you are. And the mix sounds really good too.

You're welcome! 🙂

No, absolutely not distracting at all. My first thought was indeed that it was the character of the voice itself. Could be a throaty sound or some kind of vocal fry. In any case it's light and I don't mind it. I zoomed in to look closer only because you mentioned it.

I'm not even convinced it's distortion, it could be part of the actual timbre of voice of the voice actor. If you zoom in on other words where you can hear the same kind of sound, you can see that same kind of shape, even though they are recorded at a lower level. Does the sound really bother you?

If you zoom in close enough, looking at the actual sample values, you can see that this isn't pure digital clipping, and you're nowhere near 0 dBFS (the digital clipping point). So something else is creating that distortion.

Ok so that clipping occurred somewhere before the digital signal was recorded in Logic. So either in the converters or in the audio interface software. Are the Volt's Vintage and 76 compressor off when you're recording?

Great choice. Enjoy! 🙂

I believe the OP wants to hear only the playback from what's already recorded onto the track, but not the live input monitoring, during the pre-roll up until the punch in point.

Yes, you'll get an Audio Unit version of the instrument so that you can open it as a software instrument plug-in in Logic Pro. The Moog Music video below confirms that:

While your pattern is playing, from that menu on your screenshot, choose Load Audio File and select a different sample in the Finder (but don't click Open), you'll hear the new sample in the context of the pattern currently playing back without actually loading the audio file. Keep going until you find the one you like and then click Open.

Maybe that second question should be renamed: Are you running an older version and if you are, why?

Could you share an audio sample so that we could hear it?