David Nahmani

Thank you for that. That definitely shows IMO a bug in 10.8.1.

Yes, definitely agree, try to never have 2 projects open at the same time in Logic Pro.

Yes. On your MacBook, on that track's channel strip, you're probably seeing the plug-in as not available. The MIDI data is only music performance data (which note, when, how loud etc...) but not audio. It needs to be routed to an instrument (such as a software instrument plug-in) to produce sound. If you're seeing the notes in the Piano Roll when you double-click a MIDI region, you haven't lost anything.

You're welcome! 🙂

Oh ok good to hear so Omnisphere was the culprit then? The issue disappears if you remove it?

You're welcome.

Weird name!! I don't get it. But yes it does work. Got it. I originally thought you wanted to pan only the ride, independently of the rest of the kit.

No, there's no way to do that.

Wait... reverse the phase?? That won't change the stereo image. Ooohh... maybe you meant that you set the Direction to -180° which swaps L and R (but does not reverse the phase). If all you wanted to do was swap the Left and Right channels of a channel strip, then there's no need to bounce anything. You can Control + click the Pan knob on the Overheads and Room channel strips, choose Stereo Pan, then Command + click the Stereo Pan to swap L and R: you'll see an orange ring around the Stereo Pan knob to show that the L and R are swapped.

If you've already recorded audio files in your project then I would complete the project in 44.1 kHz and from now on start your new projects in 48 kHz. Note that the difference between the two is quite subtle.

Drag the audio files back to different tracks, Select the 4 audio regions and choose Edit > Move > To Recorded Position, Choose Functions > Folder > Pack Take Folder.

Try having a look through the following topics: https://www.logicprohelp.com/tags/essential sounds/

Did you try clicking that orange cuved arrow symbol next to Sounds for "Project"?

Did you quit Logic before trashing the .cs file?

No, the industry standard is 48 kHz. A sampling frequency of 48 kHz is recommended for the origination, processing and interchange of audio programs employing pulse-code modulation (Source: https://www.aes.org/standards/comments/drafts/aes5-r-cfc-180904.pdf) 44.1 kHz was the old sampling rate used for Compact Discs. Many commercial studios record, process and edit at 48 kHz then mix in analog on large SSL consoles, recording the analog output of the SSL as a 96 kHz file delivered to the mastering engineer. A few rare producers choose to record, process and edit at 96 kHz. Anything above 96 kHz is offered only as a selling point for marketing purpose for the DAW manufacturers.