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miscend

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  1. Does it have all the features from the $300 Dolby Atmos Production Suite?
  2. I have a problem with LPX and need help. The volume levels of Logic's software monitoring are far too low. You can barely hear. But when you play back the recorded audio, its loud, much louder than the monitor. Turning up the volume level of the monitoring track to max hasn't helped, and I cannot turn up the recording gain level any more - as I am already recording pretty hot. I have resorted to using RME's hardware real-time monitoring, which is very loud compared to Logic's software monitor. I'm recording on a Macbook Pro with RME Babyface and HD 280 Pro headphones.
  3. My fav topic on this board. Please keep this going and posting pics!
  4. This thread must be a sticky very inspiring
  5. You're right about Logic being floating point. However things get complicated when you start to use various plug-ins which may or may not internally process the data with as much precision. Which is why proper gain staging is usually advised. Also I understand that certain plug-ins especially 'analogue modelled' ones have sweet spots when it comes to levels.
  6. The Website lists dozens of new features which justify a new version number according to software conventions. The Elastic Audio/Flex Time stuff is all brand new, so is the Vari Speed and import stuff. You are not going to get completely new features in a point release. Point releases are typically for fixes, optimizations and general improvements. ...
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