David, I'm re-posting this here at your suggestion. I've read your excellent post on this general subject elsewhere- thank you for it!
I'm trying now to set up the following:
A. Software instruments 1 & 2, on Logic tracks 1 & 2, both set to receive on MIDI channel 1 from MIDI keyboard #1. I want to alternately play one OR the other of these.
B. Software instruments 3 & 4, on Logic tracks 3 & 4 both set to receive on MIDI channel 2 from MIDI keyboard #2, with non-overlapping note ranges specified on the 2 tracks so as to produce a keyboard split. I want to be able to play these 2 instruments simultaneously from MIDI keyboard #2, while playing either instrument 1 OR 2 from MIDI keyboard #1.
I've found that A. above can be accomplished by leaving track 2 record-armed, and either arming or disarming track 1. It seems that, when 2 tracks set to the same MIDI channel are both armed, the lower-numbered track is heard, and the higher-numbered track is ignored. Is that correct? ( or is it the lower-numbered software instrument which gets priority?) Anyway, it works. So far, so good.
The problem I'm having is with part B. of the above plan. I can't figure out a way to hear instruments 3 & 4 simultaneously on MIDI channel 2, with the keyboard split that I've created. I'm finding that, as above, the lower-numbered track is heard but never the other track. Can you tell me a way around this?
My setup, in case you need to know, is a MacBook Pro running 10.6.2 and Logic 9.1.1, and an M-Audio Midisport 2x2 Anniversary Edition USB interface.
The 2 MIDI keyboards are a Yamaha P90 and a Prophet 08.
Thanks again,
Tom