musaicsong

Okay, thanks Jordi. The answer to the problem for Ultrabeat is to click on Logic Pro X in the top bar and click Download Additional Content, and then check fill the boxes for Legacy and Compatibility, and Drum Kit, and Drum Machine. Then download it.

Hello People, But, how do you tell Logic X to stop asking to, "Ultrabeat - Please Locate:" every time I open Logic 9 templates & tutorial song inside of Logic X. I have no idea what it expects me to go get when Ultrabeat seemingly works? Maybe I should unload and reload each Logic 9 instrument in each template and re-save templates. Also, is all the groove templates on swiftkick.com a dead end? They open, but don't do anything: Do the synth voices no longer exist? While researching on this, I stumbled on AudioCR MIDI FX Freeze. It creates chords for your melody on the MIDI Piano Roll, and it's a free plug-in.

So, do you mean: plug the output of the Tosslink from my tower back into the input Tosslink of the tower? Or, do you mean use an interface with the one tower? I have my MOTU interface set up with the laptop via Thunderbolt. I connect the tower to the MOTU's tosslink input only, because connecting input and output together, and trying to send a signal back from the laptop into the tower's Logic was horrible sound.

I've discovered that the best way for me to listen to the exact representation of my mix, of exactly how the song will be heard after the bounce is to do all the mastering in Logic X while piping it through Tosslink, into Ableton Live that's on a second computer set to unity gain. The previous great sounding mix in Logic will now reveal all the flaws that will happen, that would waist your time back and forth with constant re-ajusting; re-bouncing and reading useless meters. Now I can safely bounce an optimized mix in Logic X. Maybe that option in Logic X to compensate 3db turns off when bouncing.

Thank you for the quick response Eric. I'll try it sooner or later. I wore my ears out now. So, I just decided to take the lazy man approach and just lowered the volume for todays bouncing in Logic X. Trying push it to the max with EQ compression, you get to hear all the crackling. Is there anything better than Waves X-Crackle, that will actually work 90 to 100%?

I feel like there's a copy guard in Logic X. In my first ever mastering of my song, I pushed it to it's highest limits and sounds wonderful inside of Logic X. Why can't it just bounce the sound exactly as I hearing it without it adding any distortion on any part, also without it slightly lowering the volume? Overload Protection is set to OFF. It's a 96 Khz session being bounced to 96Khz Wave. I understand that by me personally lowering my volume in Logic will avoid distortion. But, don't show me the best that it could actually be and not let me have it. I didn't pay Apple for such limitation. So, what I'm going to try is record the same master finish out of Logic X output into Ableton Live 9, and then have Ableton do the bouncing at the same peak performance.

Thanks angelonyc. I had already went with Ample Sounds Guitars. I don't think it get's much better than that yet.

I'm just discovering that the sound quality of Loop Library sounds so much better when calling up any loop through Ableton Live and exporting them at the tempo you need it to be into Logic. Ableton Live is now my official plug-in in Logic X for my sample library. Ain't that a bitch. I'll suffer the work around for better sound quality and perfectly stretched audio.

I just listened to ASS. That's sad. Electi6ity sounds better, and I hate Electri6ity. Sorry I ever bought it years ago.

I don't think any plug-in tops Ample Sounds yet. I would like to get my hands on Prominy to see if that's any better. I still have Logic 9 on Snowleopard partition when I need it. Logic X sucks to much to invest any money into it. I had to get Ableton Live just so I can audition samples from my library in sync with my song, and better sounding stretched audio. It would be great to be able to Ableton Live as a plugin in Logic X.

Tip: Before flaming the chords with Logic to create a strummed guitar effect, duplicate the MIDI track and data. Flam one track negative and the other positive. Then mute the appropriate chords on each track.

Thanks Elik, but Flam is useful on strumming chords. I'm trying to strum effect a single note up and down which has a lot to do with the transient sound of the pick, like: sharp striking down, and a little dampened striking up. My next option is to use the muted strumming noise in AGM or AGT by Ample Sounds and gate the lifeless transient strikes in Trilian.

Thanks Atlas. I'm also going to try to simulate the bass sound with Ample Sounds Martin, which does strum up and down. So far, I used Logic's Modulator to make the MIDI wave/move like a heavy bass frequency and octaved the notes down with Waves SoundShifter. Now I just have to find the right bass Amp and Cab to get the same Chapman Stick sound I made in Trillian. Then I'll see if it can be done better with Delay Line Objects working in Trillian.

Let's say I have 8 MIDI C#2 notes and adjusted the velocities to give them an up and down momentum. In Trillian by Spectrasonics, the guitar sounds do not strum. How can I get the effect of up and down transient strikes added and adjusted to single MIDI notes?

+1 If anything explodes into your face, then you're listening way too loud. Christian Then you haven't dealt with Virus-TI when it's having a fit. It could make you go deff. A very dangerous device.