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makeyourself236

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  1. The test they asked me to do to verify capsule issues is to cup your hands around the mic and perform a long exhale towards the capsule. If the phantom rumbling and noise increases the suggest it is a capsular issue. Additionally, if you have the means, I would suggest checking to make sure your outlet is properly grounded, try a different xlr cable and if you have one available check a different audio interface to make sure it's not a phantom power supply issue. Unfortunately for me, my mic still has the same issues when changing out all the other components of the signal chain. Best of luck to you and will let you know how things go if I'm able to get the capsule changed.
  2. Keith, After sending an email to the manufacturer it sounds like it's probably a capsule issue... Probably not what you wanted to hear either if you're suffering from the same exact issues but is the most likely culprit unfortunately. I'll let you know how things go when/if I get it fixed.
  3. It still makes the same noise plugged directly into the Scarlett. I’be always turned phantom power on after it is plugged in. I’ve tried different xlr cables that don’t have issues with other sources. If you have listened to the noise that I posted, there is no room noise that is making that strange noise. To some degree I’ve solved part of my problem with the SM57 by simply not touching the mic and using a stand. Still troublesome why it’s having a ground issue, but when I gain up that mic, there is just normal room ambience and none of the “phantom wind” noises or chirps are heard.
  4. Also, if this helps give more information regarding the SM57. I plug my guitar DI into the Hi-Z input of the Art Voice Channel to record and do not have a ground hum with the same path replacing the microphone with the guitar. It seems inherent only to that mic. While the AT4047 does have all the other strange noises, I can't hear a ground loop hum with that mic in the same signal path either.
  5. I have an AT4047SV and have always noticed that it seemed like a had a higher noise floor than I would like. However, it has started making all kinds of crazy sounds recently and I'm not sure what the problem is. I have uploaded a clip on sound cloud so that you can hear what I'm talking about. If anyone has any thoughts on what could be causing it I would appreciate the help. Second to this, I'm having a strange grounding issue with an SM57. If I don't touch the chassis of the mic I don't hear any buzzing or if I touch the mic and ground myself with a piece of equipment in line the buzzing goes away. I switched out several cables through my entire system (XLRs, balanced vs unbalanced) and nothing seemed to help. Mic (At4047SV / SM57) > ART Voice Channel > balanced TRS cable > Focusrite Scarlett 18i8 2nd gen > Mac Mini Here is the clip of the AT4047 making the noise: https://soundcloud.com/jared-holton/mic-noise Thank you for thoughts and ideas in advance!
  6. I’ll check the oversampling when I get a chance. I’m sure that is what the problem is.
  7. Hi all, I'm not sure what, but anytime I load a basic channel eq my cursor is telling me it is adding .2-.3 ms of latency. This seems unusual. I don't have the analyzer on and it is just a single instance of EQ. However, it happens on every instance and am concerned that they will add a bunch of latency when working on a project.. Any thoughts?
  8. Hopefully this saves someone a couple of hours of pulling out their hair!
  9. THIS^^^. That's definitely the answer to use the transformer in the midi environment! Changed CC1 to CC4 and got it working this afternoon! Thank you guys for your help!!
  10. Nice!! What should I set the input and reassign to most likely?
  11. Anyone else have any suggestions? I can find the Midi CC information that is being sent by the foot switch in the automation section, but if I could get that inverted on the way in I would be in business!! Is there anyway to do instrument mapping on that sort of thing like there is for just the normal midi messages being sent in?
  12. There is no inversion switch on the pedal or hardware side of the drum module. I have been using a mapping object in the midi environment to change some of the setting being sent. However, I’m unfamiliar with the variables (or where to find them) to change values sent by a hi hat pedal/mod wheel/ etc. If I could find where those values were being sent in logic I think iight have a shot at getting them inverted. But, Im unfamiliar with where to find that kind of information that’s being received from the hardware to logic.
  13. Yes, I tried all of those mapping options. Still inverted hh triggering
  14. Hello all! So I just purchased a new electronic drum set (ATV adrums artist) and module (ad5). The module is triggering everything accurately when using the module, however, when I'm trying to trigger logic drum kit designer, the hi hat is triggering in reverse (open = closed and vice versa). I've tried the different settings in the drop down tab and they don't solve the issue. I've also tried to adjust the parameters the drum kit designer is received from the ad5 by adjusting the output note in the midi environment using different mappings. This also doesn't solve the issue as I can't seem to find a way to invert how the hi hat is being perceived. There are obviously sounds from 100% open - 100% closed because I can hear them when using the hi hat, just in reverse! There is no way to change the midi signal on the way out from the module so I'm going to need an option on the software side.
  15. Hey all! So I'm pretty much exclusively a amp sim software guitar player these days but am always left disappointed with the tone I'm getting. I've tried using room/hall/chamber reverbs to give me the stereo space of playing an amp in the room, but always just disappointed by the end result. I've tried pre/post bus reverbs and when using the pre send reverb, trying to get a nice amp in room sound and then mix in the close mic'ed amp sim, again with subpar results. Then today I stumbled across binaural panning (specifically the planar panning) and was totally blow away. It seems to not only let you pan the instrument in more unique ways, but I love how the size and vertical offset options really make the amp sim feel more like playing an amp in a room. My question is, while I love using this feature, are there any downsides to it? Also, are these results able to be replicated with a reverb (maybe less CPU taxing)? I suppose what I like about it is that the entire amp sim signal is passing through this panning system and it really feels like I'm in a 3d space with the amp. My main gripe with mixing with reverb is it always sounds like it's a fake representation of a room or hall, and the dry signal still is unpleasing so it just feels kind of lifeless. Any thoughts on this subject?
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