thelogicalproducer

David, Thanks for the reply. On one track, there's just a Logic compressor. On the other, 2 EQs, the same compressor, and Space Designer reverb. I will note that they are the same exact vocal, doubled. Just one very low. I don't normally do these but I like the effect, in this case. I'm looking into the automation but given the track plays perfect half the time (just never during the single bounce I need), that would rule that out, no?

Forum, thanks for being such an amazing resource! I'm running into a problem towards the end of song production. I've noticed in the last few days that there are some audio inconsistencies in playback on the song I'm working on. I originally thought one of my speakers was dying and going out for a half second and cutting back on. But then I noticed the occurrence was happening in the same song location every time. Then I noticed it only appears to be affecting the 2 vocal tracks, but not the 3 software tracks simultaneously playing. I'm nowhere near clipping. Sometimes, I play the section and it plays perfectly. Other times, I hear the tweak in the audio at the exact same spot that it tweaks. It's as if the audio goes from 100% expression to 30%, then back to 100% in one second. Now that I'm bouncing, the said glitch is on every bounce. I've searched the forum and tried off-line and real-time bounces. Same issue. I've played with the Buffer size and latency (I don't know much about them) and the issue is consistently present on the bounce. What could be going on here?

Thanks guys. Triplets, I've learned to bounce the pitch-edited track, then go in and chop it up manually for a super-clean mix. Erik, its harder to visualize the movement of wavelengths (if that's the right terminology) while in flex pitch (the display changes to the dark blue screen) to crisply align multiple vocal tracks. I'm editing like 9 vox together at once and its just as important to see where notes begin and end as it is to hear it because the visual signal lends a much more exact measure of what's going on. Gosh, after hours of editing, it was heartbreaking to lose my changes. I had to take a nap and come back to it. Lesson learned. I hope Logic creates new options for the workflow.

In desperate need of help here. I'm still learning the ins and outs of vocal mixing but I've going into a good groove using Flex Pitch. I guess my simplest question is this: if one turns off Flex Pitch after making edits, do you lose all the edits you've made? Or will the edits return once you've cut FP back on? My normal workflow is this: use flex pitch to correct notes/harmonies for multiple tracks then turn flex pitch OFF so I can then go back and self-quantize small variations in rhythm. But when turning Flex back on, it seems I'm back at ground zero and need to edit pitch again. Am I doing something wrong? Is LPX incapable of saving Flex Pitch edits after you turn Flex Pitch off?

Thank you for the reply, I think at my skill level, I'll just stick to a 2 instance approach so I can use the volume automation to take out the delay I don't need. Still learning how to manipulate all these different elements. Thanks!

Only an EQ! It's a nice delay that's built into the synth. It just won't shut up.

Greetings, (first post) I have a synth that has a sweet delay that I need in the track. However, I noticed that when I automated a high cut, after the high cut was "over", the delay was still echoing. I would automate the delay out completely, using the volume tool, but I need the synth to come back in a measure, but the old delay is still there. Is there anyway to abruptly kill the delay to bring the track back? Or should I simply use two tracks for this particular synth so I can automate it out? FYI: the delay is not coming from an audio effect, it's built into the synth.