gurner
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Thanks so much! That's what I was hoping, I can now confidently experiment with aux's within the track stack -
Thanks, my old Logic 10.4 won't let me, at least not without a work-around, so I was wondering if I could do it with a group?
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Is it possible to create a group with it's own bus and incorporate that into a summing track stack? Here I'd like to group the basses, so as to have one channel strip outputting them, but still keep them within the D&B summing track stack
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Hi, I'm happy with one main bus for drums and bass, as it unifies the groove I feel - still as I'm often dealing with 3 or 4 bass tracks I'd like to sub-group them, with the bus I'm on old Logic 10.4 Is there a solid way for mixing/stem-mastering etc?
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I'm glad it works out with the Enveloper, with no latency or other problems Something for the 'toolbox'
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Thanks Atlas If I place the Enveloper directly on the track with that setting it thins the sound of the drums, whereas used on the aux send and backed off - the sound is better for my purposes I'm going to bounce the drums as a stem and re-import so I can work on the bass separately later
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Hi, I wished to to try Enveloper on my drum bus, but not send the whole signal - I've used it on an aux send (bus 6) on my Drums&Bass bus, and it sounds OK I'm just wondering if this is good practise? Best, Pete
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Yes, I would too, what confused me a bit was going to 24 bit - from the internal Logic 32 bit floating point, so I've decided not to dither the 'pre-master' (in my workflow) but only dither the final bounce, to both 24 and 16 bit 44.1 And I'm hoping this is the best practise in this case
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In the end I'm dithering the last bounce : POWR-1 Seems a safe bet - thanks for the info!
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Hi des99, Well I've done it without dither but with Waves 'Analog' engaged, for the 2444 file, I'm wondering if I even need to dither the 16bit 'CD' file? Anyway it sounds great to me
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Hi des99 I believe the reason would be, that as we're using the Waves SSL comp anyway, which has an analog function, which adds a 'pleasant low level noise' from there, was I to use that would Dither still be necessary? I'm mastering a melodic tech house ep right now, and I believe this is being done in the genre by another respected engineer - up until now I've just dithered every bounce
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All good - so one more important question, I believe maybe Yoad Nevo said - does anyone know to confirm - Waves analog noise - as from the SSL bus compressor - can substitute for dither in this situation ?
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Thanks, des99 - so the best quality I can get for my pre-master in Logic is 24bit? What about dithering, should I dither the pre-master or only the master?
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Hi Guys, I've been wondering about dither, and 32 bit floating point, in mastering. I've been exporting in 32 bit floating point, which confusingly gives me 2 files, one labelled 24 bit. So I import that file into the mastering session, it appears with a 24 bit label too! (I have imported the file labelled simply .wav which info says is 32 bit) Anyway I then apply normal dither when bouncing the master in 2444 - can anyone clarify whats happening here?
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Free Logic Pro Custom Track Icons
gurner replied to David Nahmani's topic in Logic Pro & MainStage Templates and Environments
Thanks David, Ah, well maybe there is something similar available? I'm looking at a project from 10.5 which I've opened and plays fine, just missing icons - and I do like the look of the 2D ;-0 Best, Pete
