AlwaysaPlanB

That sounds like a plan. Thanks. I got suckered in by the Marker List as looking like the obvious place to do this.

I did try the modifier+Tab thing, I have not tried jumping to the next Marker with a key press while living in the editor pane. I shall give it a go. I had already clocked the Open Marker List key press, as I noted in brackets in my query. Thanks for your pointers.

I might be being thick, but I frequently want to rename my markers using the Marker List. I hate using the mouse when I am already doing text input. So, is there a way of Opening the Marker List (Alt+Cmd+'), (first marker is automatically highlighted), activating the rename window pane at the bottom of the list, editting the text name, coming out of that window and then selecting the next marker for renaming, without using the mouse at all? If there is, I cannot find it. I can't even find a way to jump from the Marker selection pane to the renaming panel at the bottom without using the mouse. (I'd expect Tab to do it but it doesn't.) As I say, I just might be missing something obvious but it has me vexed every time. Any pointers would be most welcome. Thanks, Alan

The screenshot really helped, Dave. Thanks.

I must be being thick. I wanted to change the formants of all the notes in a vocal recording using Flex Pitch (for a more bassy vibe). Clicking one Flex Pitch note bar in the Tracks Page (used to be Arrangement, is it Main now?) and pressing CMD+A selected all the Regions (as mentioned above). Moving the focus to the Audio Editor (with the blue line around it) and clicking CMD+A doesn't seem to do anything. In the Editor, having Track or File selected did not make any difference. If I then changed the Formant of one note in Flex Pitch (which draws the focus back to the Tracks Page), the others remain unchanged. I eventually just lassooed them all and changing one, changed them all. I could have done it using Melodyne but I thought it would an easy thing in Flex Pitch. Apparently not. MBP mid-2012, i7 2.9GHZ, 8GB RAM, 1TB SSD, Catalina, Logic 10.6.2

Thanks, Triplets. As I said, having Fade as my right-/Cmd- click tool overcomes the issue for me. And doesn't ignore all my FlexPitch edits.

I have this trouble when trying to use Fade tool on a Flex Pitched Audio region. My mouse cursor is set to offer Pointer/Fade/Marquee depending on where on the region I have. It wants to ignore the Fade and only give me Time Stretch on Felx Pitched Audio regions. I keep the Fade tool as my right click for this scenario and I can still do fades on such regions.

I had done all the uncheck One Shot Sample and checked on the release time.... Then I found that I'd copied a region with sustain pedal info! That was the culprit for my hanging samples. ------------------------------------------------------------------------------------------------------------------------------------------------------------------ MBP mid2012; Catalina 10.15.7; Logic Pro 10.6.1

Hi. I suspect there is a very short answer to this, but having recorded a MIDI track, I frequently want to view that track's Score window (so I don't just have to remember what I played and to keep the chord changes right) while I record to another track. When I arm the next record track, the Score window wants to show what I am playing on that track, which obviously is nothing until I play something. Is there any workaround that others have found for this or is it just me that would like it? Taking a screenshot of page view of the first track, then floating a Preview window onto one screen while running Logic on the other, maybe? Why should I have to come out of Logic to do something musical? Any ideas welcome. Thanks. MacOSX Catalina MBP mid-2012 i7 2.9GHZ dual-core 8GB ram Logic Pro X 10.5 "It'll be okay in the end. If it's not okay, it's not the end." John Lennon

I thought I was being really thick and struggling to suss this out but I post it here in case it helps someone. There are occasions when it would be really helpful to view the music of a MIDI track in the score editor while making adjustments to the individual notes in the piano roll (e.g. lengthening certain overlapping notes). I am happier viewing what I am working on in the score editor but can see how each note is affected better in the piano roll editor. If I open both at the moment, (by selecting a region, pressing "P" for piano roll and CMD+3 for score view, the score is in a floating window and disappears as soon as I click a note in the piano roll editor. Not very helpful. However, if I open score view from the tab in the piano roll window and then open a floating piano window (CMD+6), I get the score view at the bottom and the floating piano roll view - in which I can edit notes and see which ones they are in the score view. Sorted! Hope that helps someone. Macbook Pro; El Capitan. (OSX 10.11.6); Logic 10.3.2.

My workable but clunky solution was to put a Transform item before the Sequencer input and to get it to filter out all notes at 127, which the offending E3 (note 64) generated by the sustain pedal, always hits at. It means that you won't be able to input any other note at 127 but unless you're really heavy-handed that unlikely anyway. To do this in Logic 9, I : 1) opened an Environment Window, Cmd+8, 2) chose Click & Ports from the top left-hand menu within the left pane of the Environment window, 3) Clicked on "New" in the right-hand pane of the window, choosing Transformer 4) Then I set up the Transformer by a) double clicking on it, leaving Mode: "Apply Operations and let non-matching events pass thru"; b) then, on the top line of options, choosing Status = Note (from the drop down menus, one under the other); c) from the last option menu (which shows when you have selected "Note" in the first one) Velocity = 127 (in the same fashion as b); d) From the lower set of menus under Velocity I set Fix = 0 e) I closed that then, with the mouse, picked up the lead shown going into Sequencer input and dragged it onto the Transformer item f) Dragged a new lead from the little triangle on the right of the Transformer item to the Sequencer input. This means that the sustain pedal still works but the offending 127 velocity E no longer sounds. Hopefully that will help someone. It helped me when I ended up on holiday with only a cheap USB-midi adapter and access to a Yamaha piano.