josetorresvicente

I only keep around a dozen of active projects on mine.

I keep my internal hd quite tidy. As long as I keep vst on an external drive I think I can go with 512 gb and keep it half empty most of the time.

Would 512 gb do? Or should I go 1tb to benefit from higher transfer speed?

Thanks for your help! As David said Ram and CPU have both their advantages. I have to decide if I prefer one over the other (as the M2 Pro with 24/32 gb is not an option…too expensive for my use).

Hi, I’m looking for a replacement for my Mac mini quad core i7 (2012) with 16 gb ram. I mostly do tracking and small projects on a regular basis and 3-4 times a year I get involved into big projects (80-100 tracks, many lo take instances, etc). I almost never have had problems with my computer but I can say it’s ageing by its performances. My two options are Mac mini M2 w/16 or 24 gb ram or the m2 pro, basic model. Both with 512 gb ssd. I’m concerned about the noise of it as I record in the same room. What will I benefit more: the extra processing power of the pro or the 24 gb of the m2? Will the m2 pro be noisier? any help will do. Thank you!

Hi, I know this thread is more than closed but I've come across a Vienna Symphonic Library first edition very cheap and I want to ask you about your experience. Do you still use it with Logic Pro X? EXS24 or Kontakt? Does it sound still ok after all these years? I mean there's a lot of new orchestral libraries nowadays. Thank you in advance! J

Thank you all for your answers! I finally sent the files to a mastering studio with the original sample rate and bit depth and they delivered a full resolution .wav (48 kHz, 24 bit) and a converted .wav (44.1 kHz , 16 bit).

Hi, I usually record and mix with these settings: 24 bits 48 khz As I need the master to be 16 bit and 44.1 kHz I don't know when to convert. Should I convert during the bounce in my Mix session and then open a mastering session with the final settings or should I master with same settings and just convert in the final bounce? In any case must I use the dithering during the bounce? Thank you all for reading!

I'll give this method a chance too.

How do I determine the correct value of my monitoring chain? By ear? If I have understood this way I will compensate the more latent source with the recording delay preference and the less latent with the sample delay. IFor example: if my values are: most latent +20 ms and least latent +10 ms I should set the RDP to -20 ms and sample delay on the channel strip to +10 ms. Is that it? Anyway I don't know how to handle the negative latency I'm getting with the i/o plugin.

Hi, My first post here. I'm setting my latency in Logic and I'm having different results. First my set-up in Logic is: I/O Buffer Size: 128 samples 9,6 ms reported RoundTrip Latency Sample Rate: 48 khz I'm using a Focusrite Scarlett 18i8 and a preamp and an external AD/DA converter which is set as master clock. I'm doing the Ping recording Delay test (i/o insert in an audio track). The problem is that I want to set my recording delay but the results doesn't make sense to me. I have different situations and results: _Scarlett Output 1 and Input 1: from -37 to -47 samples _Scarlett Output 1 and Spdif Input with Spdif clock: around +12 samples _Scarlett Output 1 and Spdif Input with Internal clock: around -12 samples As I'm using sometimes my external preamps through the converter and other times the Scarlett preamps: should I set the recording delay according to the routing? How I set the delay for a negative latency? With a positive delay? It sounds to me like a driver problem. Is even possible a negative latency? Hope somebody can help. Music business is fun:)