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djsnake

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  1. Real magician tricks you've got over there. Thanks for the tips bro 🗣️🗣️
  2. Also each has different length and it's important to keep them as they are, without introducing any silence to the end of them when exporting...
  3. Hey y'all. I got hundreds of regions, each has their own track so both a Region or Track exporting tip would work for me. I need to export all of them to wav files, but when I do that with CMD+E, the plugins on the master buss gets bypassed. I got some processing on the individual tracks, some bus routing and eventually some plugins on the master output. How can i get these hundreds of regions/tracks exported to wav with one click, while not bypassing any plugin ? Thanks.
  4. Thanks man. It's crazy that legal stuff almost never has a clear answer.
  5. Hi. I just want a piece from that cake knowing damn well i can do way better. If your saying is true, the whole Splice thing shouldn't have been around right? I can make a song using "KSHMR Flute Loop 01", and if you make one using that afterwards my release, I'll sue you and take your cash ? Sounds stupid. But I'm here to get knowledge not to complain. Really isn't there any cases of this yet ? It's simple. What happens when there are 2 songs featuring the same sample from a publicly sold pack...
  6. Hey y'all. I found this sample pack which has a cool vocal sample (about 10 seconds). It has been used on a song which has around 30 Million streams. Question is, If i just use the same sample but make everything else differently, can this artist sue me ? It ain't his sample he can't own the sample from a public released pack right? Y'all witnessed similar cases before? Thanks. (The artist didn't chop, or edit the sample just put some instruments behind the vocal loop and released it.)
  7. What a gentleman. Thanks for describing what Harmonizers can and can't do. Your biggest tip is Impulse Response reverb, that's the one that really makes it huge. For sure recording with the aim of making something like this would make it all easy, but in this case i have to work with what i got. I never managed to learn OTT but managed to make it sound right using Logic Compressor and some stuff. Also thanks for pointing that out. Despite the time factor I'll have to try and fail on this one. Thought some sort of software/technique could sort it out. All these tips will probably cover the skeleton of the work. Thanks.
  8. Both different octaves and different pitch classes (+3st +5st). But they're adlib kind of recordings with slightly different pronunciation, so I don't think they will all work for choir. Thought the singer probably took them for layering every 4 words. They just want me to do this choir thing no additional request.
  9. Hey thanks for chipping in. Okay so on YouTube it's right off the beginning, just the intro of the song. I need to make it Stadium kind of sounding recording, so i need definitely at least 4. I've got 20 takes singing the same thing, same melody. Some of them are high, low, breathy etc. But when i play them all together, even when they're pitch corrected with Melodyne, they sound robotic. I mute 14 of them, 6 still sound robotic, I can't go any lower I need voices for this choir So i started tweaking the transients to align to bars. That helped some. But still something is off. Since i never worked with Harmony Engine, I don't know if i should be spending this limited time tweaking everything on it. If it can help i will sure try all night. So i need guidance of folks who used it before. As i said i never did this before. So anything to pay attention to, please let me know.
  10. Guys hear me out. I've got this project that i need to deliver ASAP! and the artist requested a choir like Sam Smith's Unholy. They provided me with about 20 takes and access to this thing called 'Harmony Engine' by Antares, don't know how to use but if it can do let me know how. I need to deliver a quality product asap and instead, playing 20 takes at the same time sounded the most robotic thing I've heard, despite i had Melodyne applying same pitch curve for each of them. I'm not familiar with this technique yet, i need to solve it precisely. I started tweaking timing of each of them with Flex Time to make them sound coherent. What should I do next? The internet is saying pitch correct and pan but it really sounds robotic. thanks for any help, greatly appreciated.
  11. Thanks David. Thought Space Designer would only create Reverberated sound.
  12. For some reason I've got low hopes that this will work.
  13. So i downloaded some across the web. But they're all 1 second audio files with just a click sound. What's the next step to model these onto my vocal? Thanks.
  14. Hey I heard about Impulse Response thing but i sn't that for Reverberation? Space Designer got such setting. How do you set it up? What's the file source? Thanks
  15. Hey. https://www.instagram.com/reel/CqlBUVAAwAI/?igshid=ZWU2MTYxZTY= There's this 'Old Telefunken Mic' sound that makes you say 'this a classic right there'. How can i recreate this effect on a vocal recorded with modern gear? Certainly there's some High Cut going on but other than that, I couldn't spot the processing technique. Thanks
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