Pablo Caputto

Oh, I found I can do it from audio editor!

IMG_6070222.mov A quick video

For example, I want to remove that transient so it doesn't quantize there, since it shortens the duration of the hi-hat, but if I remove that one, it removes it from all the tracks (It's aligned with the kick that has the q reference). I tried removing the q from the hi-hat and unchecking the editing in settings, but it doesn't work. Do you know how to do it?

Hey man! it worked! At least the kick doesn't lose attack, and I don't have phase issues. What I notice is that there are some noises and artifacts... How do you correct them? Individually? I have some issues for example in the HH

Ok! I will try as this. Where I turn off the gaps ?

First, I would like to understand which method we are talking about, because I proposed 3 methods. I assume you are referring to the one of selecting a group, setting the Q, and checking the transients. The next question would be, which tracks do I check the transients on? Because some suggest checking only the kick and the snare... others suggest doing it with all tracks... What do you suggest? thanks for your help man

Sorry, David, I don't understand you. Are you asking if I checked the transients? If so, yes, I did, but the issue still persists. When I mentioned that it's tedious, it's because of this—checking every transient in every drum track takes a lot of time. That was the reason why lately I simply used Flex Time in polyphonic mode (without using groups or Q) and only corrected the poorly quantized distortions. But the issue is that it degrades the audio quality as I said before.. Did you notice any difference in the audios?

Hi David, After conducting research on YouTube and tutorials, I've identified three methods to accomplish this. -The first method, which I often use, involves selecting all the tracks and quantizing everything to 16th notes. Then, I correct any artifacts directly by double-clicking on the transient in the track area. -The second method is outlined in these links. One is recommended by Apple, and the other is from this guy: https://support.apple.com/en-us/102087#:~:text=If you want to quantize,then apply your timing adjustments. -The third option involves people using quantization in a manner similar to Beat Detective in Pro Tools: this guy as well So... Now, I have a multitrack session. Regardless of whether I use slicing, rhythmic, or polyphonic modes, the sound of the drums worsens. For instance, the kick loses its attack, almost like there's a phase problem. I've experimented with all the available options, but the issue persists. I'm attaching two audio files here, one with Flex and one without. If you listen closely, you can hear how the kick drum loses punch no flex.mp3 with flex slice.mp3

Hey, There is a common situation when you quantize drums in logic. I usually use polyphonic flex time, on 16th notes, and correct bad transient issues directly.. But everyone says that using slicing is the best.. and you should do the correction on the transient in the editor mode, select the "Q" and so on.. I find the second option very tedious and takes me a lot of time... so.. what option do you usually use? and the second one: I find that when you use flex time on the drums... the sound changes for the worse... it loses attack and life... I find this in polyphonic mode and slicing mode... so... how do you handle this?

thanks David! Yes! I did that! ;)

There is an option of this for percussion?

I dont understand you :D

It takes me a lot of time to even extend the window, put it in column mode, etc. Is there any way? Thank you

i found you can do it selecting the automation area with the marquee tool.. and then copying and pasting also selecting the new area with the marquee tool!!

Oh yeah! it's not selected in the screenshot... but i tried again and couldn't do it. Its not available.. 😞