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Buster Hemphill

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  1. 1) confirmed that 3.2g still had the problem by quitting/restarting Logic. The problem persisted; needed a re-run of the script to activate tracks/articulations 2) installed the update, trashed the previous version, opened the scripter on all channels and selected updated version. verified that worked. 3) quit Logic and re-opened. Did NOT have to re-run script to activate. Worked exactly as expected You're an ace!
  2. Splunk is a better test subject than me - i've been building a template this afternoon and mostly just checking the triggering of articulations (and my newly streamlined CC situation!) - i don't think i have used the transport once. Will check in a bit.
  3. Thanks Splunk for jumping in on the topic. Dewdman, i'm experiencing the same problem with needing turn off-on the Scripter. Not really a big deal but if you were getting ready to bounce right after you re-opened a session, it's the kind of thing you might not notice right away...til its too late Otherwise, so far, perfect! Christmas in July
  4. Hi Dewdman - This is an amazing solution you've scripted. I'd love to incorporate it - i recently set up a whole template with art sets for every instrument in the strings, woodwinds and brass, most have between 8-15 articulations loaded, as added and MIDI channel incremented in PLAY. I no longer set up multis in LPX, i just load my saved instrument & everything's there, and i have one track with all notes for that instrument. I change articulations with the dropdown i've created via the artset. I don't assign or use keyswitches or outputs Works fine but then i need 2-3 lanes for CC's on each articulation, which gets messy and seems unnecessary when only one note is playing at a time and a main source should just be sending a CC value to whatever note is playing. I should be able to write CC as a performance (edited after, of course, but the general arc should be already accurate) to give holistic control of this monophonic line and then each articulation will respond in its own way to whatever value is present. RIGHT? So, my reading on this thread suggests that's exactly what your script does. I've read and understood the instructions (i will un-channelize my sets, very easy), but the source channel/ports thing is a bit unclear. Do i need to increment the range with EACH track? Or is each track brand new (= source ch 1)? The latter would be easier. In my case, i'd never have to worry about range. Each track in the tracks area corresponds to only one instrument and that instrument's articulations. I don't go above 16, at least for now. I've tried and seen that LPX only writes real time CC to MIDI CH 1 Also, this means i have to instantiate this in Scripter in the MIDI FX dropdown on each track, right? Suggesting again that range overlap wouldn't be something i would need to worry about with my above described method and limits.
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