hey man, thank you very much for your feedback and interest in the vocal edits.
I have a lot of fun editing instruments and vocals with the stutter edit technique. Have you heard of BT before? He is my biggest musical inspiration and he known for mastering stutter edits.
I listen to his Emotional Technology album all the time and study how he goes about doing his edits. It's crazy and I feel like i have only brushed the surface.
Yes, a lot of automation and FX took place. A couple ideas:
When a vocalist is holding a note, take the attack of a word or the sustan, cut it up to either 16th or 32nd notes and repeat for a bar. Merge all the new regions together. Open up the sample editor, reverse it, fade in, open up the time and pitch machine and shift the audio up an octave. Then pass it through a Fazz Wah Filter. And for kicks, send the track to a bus with a bright, long reverb. For signal flow purposes, have that reverb run through a compressor which is sidechained to your kick drum for the "pulsing effect."
The second verse of the song towards the end, you hear a lot of distortion. Her vocals are broken down into 1 bar segments. One track had a fazz wah filter and a bit crusher plug in. The other track was dry. I panned them hard Right and Hard Left... setting up for cool transitions like
(Distorted L - "Keep, it coolllll"
(Clean R - Whats the name of this Club-b-b-b-b-b-b-b-b-)
(Distorted L - "I cant remember but its all right...)
for the rap verse, I had Wolfberg do three really good takes the lead had your typical eq and so fourth, and the 2 other tracks were layered with light distortion, reverb, and the 'spreader' plug in.
I hope this helps!
Check out BT when u can!
Ross