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Insert Effects per Region?


bowserlm

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I'm going through and mixing and audio editing a movie soundtrack, along with the music, and was wondering if there was any way to apply an insert effect to just a region. I seem to remember Nuendo being able to do this.

 

I know that the old way was to select a region, do the ol' "Open in Soundtrack Pro", apply the effect, and then pop back into Logic.

 

Now that Soundtrack is no more, anyone have any clever methods"

 

Obviously in most cases this isn't too big of a deal, because you'd want the effects on the track, but in a case like work with dialogue and many sound effects, it would be nice if there was a way I could manipulate say the EQ on a per region basis, without doing a bunch of automation drawing ballet behind the scenes.

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Nope, region/clip based effects are not possible with Logic, sadly. Like in Nuendo, ProTools or Reaper.

 

In such cases I just work with multiple audio tracks, each with different settings/plugins. Often you can reuse the same channel for another region too. Then pack all those tracks into a folder if necessary.

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Ah! Awesome. I'll look into that. Curious how it's handing it between programs. And how easy it would be to swap the effect file back in.

There's nothing to swap: you continue using the same audio file in Logic. In your external audio editor, you're destructively editing that audio file, meaning you're changing the actual audio file on your hard drive. The next time you go back to Logic, you continue using the same, changed (edited) audio file. The work flow is actually really smooth.

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Gotcha. So, if I'm editing a piece of a larger audio file, say I have dialogue for an entire scene, and I snip just a small region and edit that in an external editor, did Logic make a new smaller audio file to send over, or is it destructively editing a portion of my bigger file?
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I'm going through and mixing and audio editing a movie soundtrack, along with the music, and was wondering if there was any way to apply an insert effect to just a region. I seem to remember Nuendo being able to do this.

I'm a little curious now.. How does this feature actually work in Cubase? So you insert the FX into the regions, but I guess it's 'non-destructive' somehow? What about region based automation?

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I can't speak for Cubase, but in Nuendo, you can apply an Insert FX stack to a region just like you can a track. It all stays live, so there is no mixdown step or anything. You can go back and edit it as necessary. Of course, over time this will begin to weigh on the CPU, which is why they also have the nice feature of "Freezing" the stack, so it's the same as a mixdown, but you can unfreeze and tweak the parameters some more.

 

It's honestly a really really handy feature and I'm bummed not to have it.

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Yeah, that's what I'll have to do, but just imagine like in a typical mixing scenario, you have dialogue, sound FX, ambience, sound design, etc..... It would be pretty easy to max out any given track with Insert FX, even if you are switching them on and switching them off.
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I can't speak for Cubase, but in Nuendo, you can apply an Insert FX stack to a region just like you can a track. It all stays live, so there is no mixdown step or anything. You can go back and edit it as necessary.

 

I see... so it's really more of a convenience thing.

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Not even really that. It changes the way you work. If you come up to a sound, and you really need to mold it in different ways in the context of a mix, it's good to be able to do that from a clean slate, not having to take into account that previously downstream in your mix you have an EQ, 3 Distortion FX, and 2 Reverbs all automated to turn on and off at their appropriate times.

 

It is either that, or you break everything into way more tracks than are necessary, and again you have a problem of inefficiency.

 

So really, I'd say that's crucial for this kind of stuff, which at the end of the day I knowingly bear the cross for trying to have the mix, the sound design, and the score all live in one Project on one App. Which I realize is an infinitely rare case, where I'm doing all three myself, and in tadem with eachother. Manipulating the entire audio palette really.

 

Just waxing poetic now, but I appreciate how quickly you guys jump in with ideas or suggestions. This forum is really awesome.

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Ah! Awesome. I'll look into that. Curious how it's handing it between programs. And how easy it would be to swap the effect file back in.

There's nothing to swap: you continue using the same audio file in Logic. In your external audio editor, you're destructively editing that audio file, meaning you're changing the actual audio file on your hard drive. The next time you go back to Logic, you continue using the same, changed (edited) audio file. The work flow is actually really smooth.

 

You don't need to re-load the project for it to work?

 

because when I just use "show file in finder" and edit directly, I always have to reload the project.

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