ITSYERBOII Posted April 10, 2022 Share Posted April 10, 2022 I noticed in this sound on sound article that they had one midi channel playing a piano part and a second channel controlling the sustain (so he could easily copy and paste it throughout the entire piano part). How would I set that up in my session? I've been having to hand draw them for the entire song and doing it this way seems way more effiecient! here's a screenshot of the logic session in the article: And heres the article: https://www.soundonsound.com/techniques/inside-track-lewis-capaldis-someone-you-loved Quote Link to comment Share on other sites More sharing options...
Atlas007 Posted April 10, 2022 Share Posted April 10, 2022 Here is one possible procedure: If your sustain pedal (CC64) are already recorded, create a new track with same instrument: selecting the piano track then use the default US KC ([Control]+[shift]+[Return]) - [*]Copy the piano region to that newly created track ([Option]+"drag" is probably the most straight forward way) - [*]Select the region to contain only the Sustain (CC64): - [*]In the Event List editor, disable the Controllers filter button in order to hide the CC64, Select All default US KC ([Command]+ [A]) and hit the delete key on your computer keyboard. - [*]If you want to get rid of the other type of recorded controllers events (than the CC64 sustain): Select a CC64 event with the mouse Select all CC64 using default US KC ([shift]+) Invert that selection to select all the other controllers (but the CC64) using the default US KC ([shift]+). Hit the delete key on your computer keyboard. Quote Link to comment Share on other sites More sharing options...
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