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cleaning up dialogue track background hum


girltunes

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Options > Audio > Open in Soundtrack Pro.

 

Then find a place where there's only hum - no dialog. Select that (drag the pointer tool over it).

 

Process > Noise Reduction > Set Noise Print.

 

Click anywhere on the waveform to deselect the hum portion.

 

Process > Noise Reduction > Reduce Noise.

 

Adjust, Process, and save (File > Save).

 

Back to Logic.

 

Voila! :lol:

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Depends on the nature of the hum. Not all hum is created equal.

 

If it's 60 cycle line hum then you can try an EQ with a very narrow notch (cut) at 60 Hz. Usually line hum has harmonics too, but the 'fundamental' of line hum -- often the loudest component -- is at 60 Hz.

 

Otherwise, the best best would be to make an mp3 of a small portion of the track and post it here. Really, the only way to pinpoint advice on this is for us to be able to hear the nature of the hum.

 

That aside, I hear tell that Soundtrack Pro has some really good noise reduction plugins.

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Essentially I think the soundtrack pro option does this; but manually in the pre-soundtrack pro days, I had to copy a non-dialog area of hum as described above, paste it to a second track, loop it to extend it through to last the entire original take, but invert the wave to have the noise wave forms cancel each other out. Hooray for physics! Too bad it was hit or miss with the results.

 

Another option: sometimes it's effective enough just to silence the non-dialog areas between words with a wave editor. Coupled with the creative EQ notching described earlier above should make a world of difference.

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Essentially I think the soundtrack pro option does this

 

Actually I'm not sure exactly what it does or how it does it but the result is much better than with the technique you describe. I mean, your technique would work ok for a cyclical waveform (something with a pitch), but not at all for white noise. STP's process is great for that kind of random noise.

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Agreed. I don't suggest anybody do it that old way which is why it was hit or miss. In theory, not only a pitch or tone, but lining up the peaks and troughs of the waves opposite each other would be the only way for it to work correctly. What a pain. Just describing the caveman days. I've only used soundtrack pro twice, and it was just for that white noise cleanup feature.

 

Now that i think of it, I doubt it works that old way above at all. I wonder if it's just a compressor or some kind of noise gate, which would make more sense to me. Hmm.

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am unable to drag new and improved dialog track back to Logic -- I did a "save as" in Sound Pro 2.0.2 of the noise reduced version; but Logic won't let me import it...hmmmm

 

Thanks for all the great help so far!!! ...hope you can help me solve this last step...

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