portblueten Posted April 24, 2016 Share Posted April 24, 2016 Hi. What does compression & EQ do to a vocal? Please explain simply. I watch tutorial and the hz and numbers scale comes up, like -10db etc.. I have no idea what this means. Could someone explain? Thanks so much appreciate your time! Quote Link to comment Share on other sites More sharing options...
David Nahmani Posted April 24, 2016 Share Posted April 24, 2016 Compression levels the signal, reducing the dynamic, so that the volume is more consistent throughout the song. So if your recorded vocals sound like: I'VE AAAAAALLLLWAAAAAYS LOOOOVED YOOUUUUUU UUUUUU ... which may be too dynamic for your mix, meaning the loud parts are too loud and the soft parts too soft, the compressor will make them sound more consistent, like I'VE AAAAAALLLLWAAAAAYS LOOOOVED YOOUUUUUU UUUUUU The EQ allows you to apply gain (positive or negative gain, which basically means you're turning the volume up or down) to specific bands of frequencies. For example if your vocals sound boomy, you may want to turn down the low frequencies. If they lack definition, maybe you'll turn up the mid-high frequency around 3,500Hz to make them more intelligible. If they're too bright to the point where they sound aggressive, maybe you need to turn down some high frequencies. Etc... Quote Link to comment Share on other sites More sharing options...
SideBMusic Posted May 14, 2016 Share Posted May 14, 2016 Compression levels the signal, reducing the dynamic, so that the volume is more consistent throughout the song. So if your recorded vocals sound like: I'VE AAAAAALLLLWAAAAAYS LOOOOVED YOOUUUUUU UUUUUU ... which may be too dynamic for your mix, meaning the loud parts are too loud and the soft parts too soft, the compressor will make them sound more consistent, like I'VE AAAAAALLLLWAAAAAYS LOOOOVED YOOUUUUUU UUUUUU The EQ allows you to apply gain (positive or negative gain, which basically means you're turning the volume up or down) to specific bands of frequencies. For example if your vocals sound boomy, you may want to turn down the low frequencies. If they lack definition, maybe you'll turn up the mid-high frequency around 3,500Hz to make them more intelligible. If they're too bright to the point where they sound aggressive, maybe you need to turn down some high frequencies. Etc... What a wonderful way to illustrate compression, David. I'm gonna use that in the future. Quote Link to comment Share on other sites More sharing options...
David Nahmani Posted May 14, 2016 Share Posted May 14, 2016 Glad you liked it! Quote Link to comment Share on other sites More sharing options...
SideBMusic Posted May 15, 2016 Share Posted May 15, 2016 Okay, David, you inspired me. http://www.septemberartstudio.com/_BriPics/Compression-Limiting_diagram.png Quote Link to comment Share on other sites More sharing options...
portblueten Posted May 15, 2016 Author Share Posted May 15, 2016 That is brilliant!! Saved it! Great way of explaining! Thanks for that. Quote Link to comment Share on other sites More sharing options...
MikeRobinson Posted May 16, 2016 Share Posted May 16, 2016 ... and, "whatever you do, don't let it clip!" Because, in the digital version of things, there is nothing good that can ever come of it. (The irreversible result of digital clipping is: "[permanent] data loss.") If you want "[analog-] audio distortion effects," we have plenty of "kewel plug-ins" to s-i-m-u-l-a-t-e those effects in various exciting ways ... ... but, (fair warning ...) you're gonna need a clean, un-clipped signal to feed into all of them . . . Quote Link to comment Share on other sites More sharing options...
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