biff_larken Posted January 22, 2008 Share Posted January 22, 2008 So, ever since I first saw David Hynes on youtube, I've been REALLY interested in finger drumming (getting better at it, to be more specific). I have percussion experience (percussionist of the year each year, all through high school, but that was 7 years ago). I own a Korg Padkontrol and absolutely love it, but I don't think I'm getting that much better. I don't know, maybe I am. Is there anyone out there who has any advice on how to become a better finger drummer? Quote Link to comment Share on other sites More sharing options...
djals Posted January 22, 2008 Share Posted January 22, 2008 I don't really know myself, thats why I bought the Alesis Control Pad. You just can't get those little stick rolls (paradiddles I believe there called) with your fingers, not unless you've got a SERIOUS drug problem! ! I used to play drums a bit, and tapping away on a keyboard/pad just feels so alien compared to the real thing. Anyhoo, good luck with your training! Quote Link to comment Share on other sites More sharing options...
nikkik Posted January 22, 2008 Share Posted January 22, 2008 Hi! Might not be helpful, or what you want to hear, but...practice. I am still trying to figure the config that works best, but that is because I am still trying to figure the best fingers to use for what drum piece. For now, I am still stuck doing a few pieces at once. For example, I might start off doing only the kik and snare with some tom fills, then come back and do the hihat/ride and cymbal hits. For practicing, pick a few albums you love, know really well, and are not too complex if you want; starting with something complex can be cool, just play simple beats over it, adding more and more as you get better/more comfy. I have two kiks and two snares mapped on my pads, just so I can play as if I had two kik pedals and using right and left hands for the snare. To me, it was easier double mapping the snare. I also varied response for the one snare pad very slightly. Try different mappings, get basic beats going (to a metronome is best), and jam with albums you know really well. Once you find your pad map and finger "assignments" you should be half way there I think Quote Link to comment Share on other sites More sharing options...
biff_larken Posted January 22, 2008 Author Share Posted January 22, 2008 Hi!Might not be helpful, or what you want to hear, but...practice. I am still trying to figure the config that works best, but that is because I am still trying to figure the best fingers to use for what drum piece. For now, I am still stuck doing a few pieces at once. For example, I might start off doing only the kik and snare with some tom fills, then come back and do the hihat/ride and cymbal hits. For practicing, pick a few albums you love, know really well, and are not too complex if you want; starting with something complex can be cool, just play simple beats over it, adding more and more as you get better/more comfy. I have two kiks and two snares mapped on my pads, just so I can play as if I had two kik pedals and using right and left hands for the snare. To me, it was easier double mapping the snare. I also varied response for the one snare pad very slightly. Try different mappings, get basic beats going (to a metronome is best), and jam with albums you know really well. Once you find your pad map and finger "assignments" you should be half way there I think Oh, I'm well aware that practice is the cornerstone here, just curious if anyone had anything additional to say. Thanks, Nikki! I think I'll mess around with my pad assignments. Quote Link to comment Share on other sites More sharing options...
Subtonic Posted January 23, 2008 Share Posted January 23, 2008 I asked this question before but I didn't get very far either. There doesn't seem to be a formal technique when it comes to playing AKAI/Trigger Finger/padKontrol style midi controllers for drums. So it seems to be practice, practice, practice. Practice makes permanence, not perfect. Quote Link to comment Share on other sites More sharing options...
toysun Posted January 23, 2008 Share Posted January 23, 2008 Seems to me that you need to lock down your mapping - if you keep playing around with different ones than you'd be working against yourself getting better, no? Quote Link to comment Share on other sites More sharing options...
three_eyed_otter Posted January 26, 2008 Share Posted January 26, 2008 I agree lock down your mapping. Confine your presets to 16 pads/cells etc. AND, practice creating patterns where you have to use 2 fingers from the same hand at the same time or different fingers from the same hand successively. An example would be if you were doing a 16th note snare drum roll, beginning on beat 4 (4/4 time sig), and you need to spank the bass drum and crash cymbal on beat 1 (the downbeat) of the next measure. You have two options, either use 1 hand (the free hand) to play the bass drum & cymbal w/2 fingers or you could allow the hand that was playing the final 16th note of the roll to use a "new" finger on the bass drum and the "free" hand to play the cymbal. I have found that when I try stuff like this my finger drumming gets more fluid. have a good one 3Eo Quote Link to comment Share on other sites More sharing options...
el-bo Posted January 26, 2008 Share Posted January 26, 2008 low crsh *** high crsh *** ride *** ride bell high tom *** mid tom *** low tom *** high splash l/stick snare *** r/stk snare *** low splash *** r/stk close hat sn buzz roll *** bass drum *** l/stk close hat *** open hat this works for me...4 x 4 pads on my mpd 16 and microkontrol the b/drum, h/hat (open & close) and right snare hit are kept close...... *************************************************** if i use my index finger of my left hand to hit the r/stk snare and my index finger of the right hand to hit the l/stick hat, it leaves both of my thumbs centred around the bass drum pad (great for double kicks and kick bounces) the middle finger (r/hand) covers the open hi-hat *************************************************** i have the two closed high hats to play alternate hat strokes, both centred around the open hat for either hand to alternate **************************************************** fill *1: if high tom is (A) and low tom is (B), l/stk snare is © and right stick is (d)...then you can follow traditional drumming practice....your paradiddles and para para diddledoos etc..i'm not a drummer, but i know this one A ®, C (l), C (l), D ®, D ®, A (l), B® (r = index of right hand, l=index of left) and end with bass drum and crash together this fill takes a while to get up to speed...but you can always lower the tempo to get it done.....when sped back up it sounds way authentic ****************************************** fill *2...hi-hat choke bass drum is (E) and open hat is (F) and l/stk hat is (G) hit both snares © and (D) with a flam type action...either one ever so slightly later than the first then bass drum and open hat together...followed quickly with a closed hat to choke the open hat C (l) + D ® , E (l) + F (mid finger r/hand), G ® **************************************************** tip * 1 when using ride instead of hats, over-dub the left foot keeping the beat on the hat-stand....this really sounds authentic tip * 2 accompany crash hits with a bass drum for practice, i have a logic template called 'drum fun'...it has a kit set up with a bit of compression and verb...that's it....whenever i load up i tunes and want to play along, i just fire up this simple template...mix to taste....great fun.... hope this helps Quote Link to comment Share on other sites More sharing options...
doug941 Posted December 12, 2008 Share Posted December 12, 2008 Thanks for your input! That was a really helpfull post! I just got a trigger finger, and I was interested in different pad assignments. I'm gonna lock yours in... You got me sold! Quote Link to comment Share on other sites More sharing options...
johnnymac2201 Posted January 21, 2009 Share Posted January 21, 2009 Being a great drummer on a drum set, like David Haynes is, is also a big help in playing finger drums. Quote Link to comment Share on other sites More sharing options...
el-bo Posted January 30, 2009 Share Posted January 30, 2009 i might try and post a video of me playing my mpd16....my assignments have changed ever so slightly Quote Link to comment Share on other sites More sharing options...
jdm11b Posted February 25, 2009 Share Posted February 25, 2009 I bought the M-Audio triggerfinger hoping I could "finger drum" tracks into the computer, but I find that the pads have to be struck quite hard. I end up hitting it with rubber xylophone mallets, or turning off the sensitivity so everything has the same velocity. Not a great product if you ask me. Quote Link to comment Share on other sites More sharing options...
biff_larken Posted February 25, 2009 Author Share Posted February 25, 2009 I bought the M-Audio triggerfinger hoping I could "finger drum" tracks into the computer, but I find that the pads have to be struck quite hard. I end up hitting it with rubber xylophone mallets, or turning off the sensitivity so everything has the same velocity. Not a great product if you ask me. Have you checked to see if the Trigger Finger offers different velocity curves for the pads? I have a padKontrol, and I can change the sensitivity of each individual pad. Quote Link to comment Share on other sites More sharing options...
Clueless Posted February 26, 2009 Share Posted February 26, 2009 Don't forget to exercise your fingers - this will improve strength and dexterity. Here's a few exercises: Bring the tip of each finger on the left hand in turn to the mound at the base of the thumb. Rry a variety of different finger patterns and speeds. Start with the left hand relaxed and the fingers bent into a loose “C” shape. Rapidly jerk the fingers back, taught, turning the “C” into more like a “P” shape, keeping the knuckles bent. Hold this position for about 10 secs, relax for a few seconds then repeat. Quote Link to comment Share on other sites More sharing options...
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